A simple whisper could ruin reputation, trust, and especially love.
That is what’s at the heart of Othello, the Shakespearean tragedy, which opened to a packed house at the Tom Patterson Theatre.
André Sills gives Othello a commanding presence, effortless charm and sincerity, and a flawed humanity that makes the character compelling to watch.
Krystin Pellerin’s take on Desdemona is warm, sweet, loveable and endearing in a world filled with characters representing various shades of grey.
The “honest” Iago, played by Evan Buliung, serves as the villainous heart of the production, as it’s his manipulations and bending of the truth that sets into motion the downfall of Othello, Desdemona, and many more.
One of the highlights of Buliung’s performance is the moments where he breaks the fourth wall to tell the audience his true motives.
It’s through these confessions, we really see Iago at his most honest.
The set is minimal, with a few tables and a bed used for some scene changes. The highlight is the big arches, which are used in many creative ways, including as platforms for actors to stand and sit.
Costumes depict medieval-era Venice and Cyprus, with each dress and suit carrying strong colours, ranging from red to black to blue and green.
The rest of the cast gives incredible performances, from Jessica B. Hill’s moving monologues as Emilia to Jordin Hall’s subtle and impressive physicality as Cassio.
Given the intensity, it’s important to bring a light on stage for the performers, according to Director Haysam Kadri.
Othello runs until Sept. 27.
Reporter Hussam Elghussein is sharing observations on opening week performances at the Stratford Festival.
